Transposing emblem by Toni Wallis

South Africa: Cities of walls

A wall divides them. The extremely poor live on one side. The ultra-rich live on the other. Extremely poor for the most part means black. Extremely rich, unfortunately, is still mostly white.

Cape Town-based photographer and anthropologist, Johnny Miller, took a series of aerial photographs1 that show how a road, a wall, a small no-man’s land of vegetation divide the rich from the poor.

Stellenbosch, South Africa – On the streets of Kayamandi township – Dmitrii Skharov

Probably the most famous image2 shows on the one side Hout Bay, an affluent seaside resort town that attracts thousands of foreign tourists and locals to its beaches and restaurants. On the other side, up on a hill is Imizamo Yethu, a 57 hectare informal settlement that is home to about 34,000 people. Devastating fires regularly rage through the shacks leaving families, who have very little anyway, with nothing at all.

Cape Town, South Africa – At Hout Bay harbor – Gimas

This image is not unique to Hout Bay/Imizamo Yethu or even Cape Town. We see it in every South African city and small town throughout our country. Sandton, South Africa’s economic powerhouse on the outskirts of Johannesburg, bordered by Alexandra, is one of the poorest and most desperate places in the country. Morningside and its adjoining golf estate in Durban are across from the Kennedy Road informal settlement. The peaceful and lush winelands of Stellenbosch abut the Kayamandi squatter camp.

Apartheid South Africa created these divided communities, a project which Miller describes as the “architecture of separation,” to promote the ideals of the white, nationalist state. People of color were forcibly removed to locations where they could become invisible.

Cape Town, South Africa – In the Khayelitsha township – meunierd

However, as South Africa has evolved, the cities have grown. Qualified professionals find better paying jobs and new opportunities in the cities, and so the demand for middle-class and high-end homes has increased. The poor too, allured by the promise of employment and a better life, have flocked to the cities. Only for them, there are no homes. Instead they compete with each other for 18 square feet of land to put up a shack and dream of a better life.

And so, as both suburbia and the slum continue to grow, the two polarities of South African society have once again come into contact. The result is often violent confrontation, and clear defiance of the twenty-four-year black government that appears to be unable or unwilling to dismantle this physical and spatial legacy of apartheid.

Cape Town, South Africa – The street – Nicole Honeywill

To a large extent, the poor and disenfranchised have given up on peacefully calling on the state to provide access to water, electricity, adequate health and education services. Instead, protests often spiral out of control – burning tires, burning buses, burning schools, burning clinics, looting, clashes with security personnel.

Our new president, Cyril Ramaphosa, has made it clear that the status quo cannot continue and is attempting to introduce some measure equality by calling for radical land reform. In part, this means expropriating land without compensation from those who previously benefitted from a system that privileged white people.

Johannesburg, South Africa – Downtown – View Apart

As one might imagine, not everyone has welcomed this call. Those of us who have land and houses suddenly fear that we may lose our homes, often our main asset. What will happen to us if we are forced to leave our homes? Not all of us can simply afford to buy something else. Losing a farm or losing a home could make many people destitute.

Nothing has been legislated yet and the government realizes that it will have to approach land reform and expropriation with care. In the meantime, for some, the proximity of Hout Bay and Imizamo Yethu is far too close for comfort.

Luanda, Angola – High rises and slums – Fabian Plock

Luanda: A city of extremes between the new elite and the masses

In Angola, the civil war left its scars. Some of the scars are on the buildings of Luanda, where in 1992, the war entered the capital for the first and last time. The result was the mass killing of opposition UNITA supporters.

After the end of the war in 2002, the MPLA-led government set out on a project of national reconstruction that sought to eliminate all evidence of the 27-year confusão (confusion), a metaphor for the civil war. During the years of war, Luanda became a safe haven, as the massacres mostly occurred in the countryside. So it happened that a city originally designed by the Portuguese for 500,000 people was bursting at the seams after the war. Today, Luanda’s population is about four million.

Luanda, Angola – Downtown – KrakenPlaces

The old colonial neighborhoods burgeoned and expanded into a sprawling chaos of formal and informal construction. Basic services such as sanitation and electricity all but collapsed in many areas.

The new arrivals from Angola’s villages and towns do not fit into the government’s narrative of a new modern Angola. The disorganized suburbs of downtown Luanda also did not fit the image of a city that would become the symbol of the quick success brought by oil wealth.

The government undertook a project of requalificação urbana (urban upgrading) to bring Luanda into the twenty-first century, but researcher Jon Schubert prefers to describe this undertaking as “spatial cleansing” to rid the city center of any remnants of war or the people that the government would rather forget, as it sets about building the New Angola.3

Luanda, Angola – Skyline – Fabian Plock

Photographs of Luanda Bay with its palm-lined streets, promenade, wide avenues and world class restaurants boasting the very best of international cuisine are impressive and represent the Angola that the government wants to show the world. In this world of modern, educated elites, there is no room for the hustlers, the matumbos (uneducated country bumpkins) or o povo (the people).

As a result, many of the downtown musseques (neighorhoods) were razed to the ground to make room for impressive skyscrapers and upmarket developments. The inhabitants of the musseques were forcibly removed without compensation and relocated to places such as the Kilamba Kiaxi housing project, some fifteen kilometers from the city center. News reports indicate that these new suburbs lack running water and electricity; sewage collects in the streets; the roads are of poor quality and it often takes more than an hour for residents to get into the city.4

Cape Town, South Africa – Strolling – Leo Moko

Apartheid polarized South Africans, and the extremities between the abundance of the rich and the poverty of the poor remain entrenched and have become a cause of conflict as the disenfranchised poor seek a share in some of the wealth, while the rich, finding themselves under siege, raise the walls that divide the two communities.

In Angola, war brought people from all walks of life together. This diversity is chaotic and unsightly to the government. So in an effort to promote a new and modern post-war country, the state has built extremity into the physical landscape. The rich elite, almost all of whom have ties to someone in government, live in the spanking new city center, while o povo, who make up the masses of the Angolan nation, have been pushed out to the extremities of the city, lamenting their demolished homes and having to get used to becoming invisible in a new kind of apartheid.

Toni Wallis


1. —- (2016). “These photos show real inequality in Cape Town,” News24, May 25.

2. Miller, Johnny (2016). “Hout Bay/Imizamo Yethu,” Unequal Scenes

3. Schubert, Jon (2017). Working the System: A Political Ethnography of the New Angola. New York: Cornell University Press, p32.

4. Faustino, Gaspar (2017). “Kilamba Kiaxi: De distrito a município, sempre à margem do desenvolvimento,” Novo Jornal, April 19.


Photo 1: South Africa – Below – Meghan Holmes (Unsplash)

Photo 2: Stellenbosch, South Africa – On the streets of Kayamandi township – Dmitrii Skharov (Shutterstock)

Photo 3: Cape Town, South Africa – At Hout Bay harbor – Gimas (Shutterstock)

Photo 4: Cape Town, South Africa – In the Khayelitsha township – meunierd (Shutterstock)

Photo 5: Cape Town, South Africa – The street – Nicole Honeywill (Unsplash)

Photo 6: Johannesburg, South Africa – Downtown – View Apart (Shutterstock)

Photo 7: Luanda, Angola – High rises and slums – Fabian Plock (Shutterstock)

Photo 8: Luanda, Angola – Downtown – KrakenPlaces (Shutterstock)

Photo 9: Luanda, Angola – Skyline – Fabian Plock (Shutterstock)

Photo 10: Cape Town, South Africa – Strolling – Leo Moko (Unsplash)




Cinemblem: Perypatetik youtube channel

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CW 7 – Bolivia – Osvaldo Montano
CW 8 – Spain – Jonay Quintero Hernandez
CW 9 – Indonesia – Rina Sitorus
CW 10 – Mexico – Alejandra Gonzalez Sarinana
CW 11 – Armenia – Armine Asryan
CW 12 – Serbia – Vuka Mijuskovic
CW 13 – Peru – Monica Valenzuela
CW 14 – Bosnia and Herzegovina – Aleksandar Skobic
CW 15 – Argentina – Julieta Spirito
CW 16 – Italy – Mary Ranaldo
CW 17 – Lebanon – Ghadir Younes
CW 18 – Cuba – Marilin Guerrero Casas
CW 19 – Ukraine – Evgeny Bondarenko
CW 20 – Uruguay – Andrea da Silva Escandell
CW 21 – Spain – Jazz Williams
CW 22 – Armenia – Mania Israyelyan
CW 23 – Poland – Pawel Awdejuk
CW 24 – Balkans – Aleksandar Protic
CW 25 – Italy – Daniela Cannarella
CW 26 – Serbia – Jelena Sekulic
CW 27 – Tajikistan – Nigina Kanunova
CW 28 – Portugal – Nuno Rosalino
CW 29 – Uruguay – Lillian Julber
CW 30 – Argentina – Javier Gomez
Source: The Codex of Uncertainty Transposed

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